Eduardo Enrique’s practice examines contemporary forms of ideology and the cultural mechanisms through which they are produced, disseminated, and reinforced. Spanning sculptural assemblage, installation, graffiti, and industrial manufacturing, his work explores the intersections of consumer culture and geopolitical power structures. By recontextualizing branded goods and corporate symbols, Enrique exposes how capital abstracts itself into systems of meaning, instrumentalizing consumption to embed and perpetuate social and political structures.

A former strategist with a background in advertising and cultural strategy, his practice engages branding as both medium and subject, operating within the very systems it critiques. The ‘Swoosh,’ a recurring motif in his work, serves as a real-time interrogation of cultural power, exposing the ideological inscriptions embedded in everyday commodities and the economic hierarchies they sustain.

Eduardo Enrique was born in Venezuela in 1989 and holds a BFA from Parsons The New School for Design. He lives and works between Southeast Asia and the Middle East.

DOWNLOAD CV